Editing / Color / DI

Editing and color for projects that need control, not guesswork.

Narrative editing, color grading, and finishing built on a technically sound pipeline - from offline to final delivery.

Types of work

Post-production execution

Long-form narrative shaping

Structure, pacing, dialogue rhythm, scene flow, story pressure, and long-form material cleanup.

Rhythm-led editorial

Music videos, performance assembly, visual continuity, sync, pace, and cut structures that follow the material.

Controlled, consistent image finishing

Shot balancing, contrast shaping, look development, skin-tone protection, exposure control, and Resolve-based finishing.

Campaign-ready ecommerce video

Product edits, ad variants, hooks, captions, platform versions, and iteration tied to campaign needs.

Podcast and multicam finishing

Multicam cleanup, screenshare handling, audio/video sync, titles, trims, web delivery, and social cutdowns.

Technical post workflows

Conform execution, media management, RAW/log workflow decisions, export settings, and pipeline troubleshooting.

Portfolio

Selected work

Selected work, not filler.

Documentary Film

Editor / Colorist

Long-form documentary material shaped for structure and pacing, then finished with a full DaVinci Resolve color grade across mixed lighting conditions.

View on Vimeo

Music Video

Editor / Initial Color Direction

Rhythm-led editorial with visual continuity and an initial Resolve grading direction before final DI decisions moved externally.

View on Vimeo

Post-production is creative until the pipeline breaks.

Codecs, proxies, conform, color management, export settings, mismatched footage, broken handoffs, missing files, and rushed revisions can damage good material fast.

Mirakle brings editorial judgment, color sensitivity, and technical discipline into the same workflow.

Typical problems

Where post-production needs ownership

The footage has potential, but no shape

The material needs structure, rhythm, and editorial decisions - not just assembly.

The image is inconsistent

Mixed lighting, exposure shifts, camera differences, and delivery constraints need controlled finishing.

The handoff is technically messy

Media, proxies, codecs, project files, exports, and conform decisions need a working pipeline.

The campaign needs usable variants

Short-form versions, product edits, captions, hooks, and delivery specs need to connect to the campaign.

Fit

What belongs here

  • Short films needing edit, polish, or color.
  • Music videos needing rhythm, structure, and pace.
  • Documentary material that needs story shaping.
  • Ecommerce brands needing product ads or social cutdowns.
  • Podcasts needing clean, repeatable editing workflows.
  • Directors and DPs needing a technically competent Resolve finishing partner.

Boundaries

What we do not do

  • No wedding edits.
  • No template-based social spam.
  • No rushed bulk content farms.

Have material that needs control?

Send the rough details: project type, runtime, footage format, deadline, references, current edit state, and what has to be delivered.

Send post-production inquiry

Contact

Start a controlled post-production workflow

Email fallback: kleczek.r@gmail.com